Aplaudido em Hollywood e repudiado no México: “Emilia Pérez”, o musical francês de Jacques Audiard sobre uma narcotraficante transgênero, seduziu o mundo cinéfilo, mas irritou o país que se inspirou por banalizar o drama da violência criminal.
Aplaudido em Hollywood e repudiado no México: “Emilia Pérez”, o musical francês de Jacques Audiard sobre uma narcotraficante transgênero, seduziu o mundo cinéfilo, mas irritou o país que se inspirou por banalizar o drama da violência criminal.
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